10 NEW TO NETFLIX
“Barbie“
“The Dead Don’t Die“
“It Ends with Us“
“Kneecap“
“A Prophet”
“Run All Night“
“Shiva Baby“
“Top Five“
“Transformers”
“Zero Dark Thirty“
14 NEW TO BLU-RAY/DVD
“8 1/2” (Criterion)
One of several Federico Fellini films that could accurately be called a masterpiece just received the 4K treatment from Criterion, working from a new digital restoration of the acknowledged classic. A meta movie before that was as common as it is today, “8 1/2” is Fellini’s bit of autobiographical commentary as Marcello Mastroianni is spellbinding as an Italian director who considers his life as he struggles with a new project. The winner of the Academy Award for Best Foreign Language Film, it’s widely considered one of the most essential films ever made. “8 1/2” took one of the biggest tumbles from the 2012 to 2022 Sight and Sound polls, falling from 10th to 31st all time. Maybe this will release can help it regain that lost ground in 2032.
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Fede Alvarez has resurrected dormant franchises twice now with his “Evil Dead” and then with this 2024 blockbuster, a movie that divided audiences but quite simply rocked the box office, making over $350 worldwide. While I prefer the ambition of Ridley Scott’s prequels, I’m in the pro camp on this flick too, particularly the excellent production design and phenomenal performance from David Jonsson (one of our picks for the greatest of 2024). Honestly, if not for the truly awful digital version of Ian Holm, I might love it. You know what else I love? The fact that Fox chose to release this on a collector’s edition VHS too. As someone who spent a lot of his teenage years managing a video store, it would have looked so great on the shelves of Videomax and Planet Video.
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Betrand Bonello’s latest is arguably the most critically successful film of his career, even landing a few EOY critics nominations and awards – it got two from Chicago, including Best Actress for Lea Seydoux. This stunningly ambitious sci-fi/drama is loosely based on a 1903 novella by Henry James, but it’s a Bonello production through and through, an examination of gender, identity, romance, and danger. It’s also now a part of Criterion’s Janus Contemporaries lines, which is a wonderful way to bring prominent films from around the world to a bigger audience, but I do wonder if it’s keeping some films from getting “proper” Criterion releases with more extensive special features. It certainly feels like this would be a likely candidate for the full treatment if the JC label didn’t exist, and it feels like a film that could have been amply supported by a commentary, video essay, featurettes, and an essay. Maybe that can still happen, but no JC film has “graduated” to the collection yet. Maybe this will be the first?
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“Conclave“
This almost-certain Best Picture nominee has been one of the more interesting stories of the year to this industry watcheer. The death of the mid-budget movie (all those scripts got stretched into streaming mini-series) means dramas for adults like this one don’t get made as often as they should, and the vacuum helped turn this smart, engaging flick into a pretty sizable hit, already making 2.5 times its budget. I wonder if Universal/Focus regret already making it available on VOD and Blu-ray (and Peacock!), but it’s too late for that, and they’re probably already happy at its returns and its likely awards-season future. It’s already received six Golden Globe nominations and a stunning 11 Critics Choice Award nominations, tied for the lead with “Wicked.”
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The brilliant Ryusuke Hamaguchi made waves when his “Drive My Car” became an Oscar and EOY list darling, but his follow-up, “Evil Does Not Exist” hasn’t quite garnered the same attention. Now that it’s available on a Janus Contemporaries release, take the time to track it down, as it’s just further evidence of Hamaguchi’s nuance and skill. It’s the story of a man who lives in a small Japanese village with his daughter, a place that’s about to be altered by a proposed glamping site. A scene in which the locals meet with the suits trying to turn their homes into a tourist location is one of the best of 2024, as is the shocking ending that some people are still trying to unpack.
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For some reason, Christopher Nolan’s sci-fi masterpiece was considered a disappointment a decade ago, likely because superhero culture was so prevalent that people were just hoping the Oscar winner would make another Batman movie. It’s long been one of my favorite Nolan films, and actually one of my favorite films of the 2010s. It’s a startlingly ambitious piece of work, what happens when a creative filmmaker gets the money and power from a trilogy like “The Dark Knight” and uses it to make a passion project. It’s a massive production that’s not based on another IP, and one that suggests that love is what powers the universe. Paramount has released a beautiful 10th anniversary edition, complete with a 4K version of the film and physical collectibles. Use that holiday gift card money on this one.
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“No Country for Old Men” (Criterion)
One of Criterion’s most notable releases of 2024 came at the end of the year in this stacked release for Joel & Ethan Coen’s only Best Picture winner. Where to begin? First, I love the packaging with excellent new cover art. Then there’s the conversation about the film between the Coens and the brilliant writer Megan Abbott. There’s a new chat with the legendary D.P. Roger Deakins too, along with previously available featurettes from DVD and Blu-ray releases. How about a 2007 piece about the film by the award-winning Larry McMurtry? Of course, the big draw is the 4K presentation, coming from a new digital master that was overseen by Deakins himself. In a good year for Criterion, this is one of their best releases.
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“Paris, Texas” (Criterion)
There are certain movies that I associate more closely with Roger than others, and this has always been one of them. He loved this film, as evidenced by his excellent Great Movies essay linked above. So what could I add to how beautifully he’s unpacked it. I’m so happy it’s on 4K now and I’ll let Roger’s close reflect why: “Then there are the miracles of the performances by Harry Dean Stanton, Nastassja Kinski and Hunter Carson (the son of Karen Black and L.M. Kit Carson). Stanton has long inhabited the darker corners of American noir, with his lean face and hungry eyes, and here he creates a sad poetry. Kinski, a German, perfects the flat, half-educated accent of a Texas girl who married a “raggedy” older man for reasons no doubt involving a hard childhood. Young Carson, debating relativity and the origin of the universe, then asking even harder questions such as “why did she leave us?” has that ability some child actors have, of presenting truth without decoration. We care so much for their family, framed lonely and unsure, within a great emptiness.”
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Fans of this column know that it’s designed to highlight films and physical media releases I love, but I will also occasionally just throw in something that I think others might like more than I do and want to know is available. This is one of those cases. “Piece by Piece” doesn’t work for me. I find almost every minute of it grating and shallow, a reduction of a fascinating creative soul to animated greatest hits. However, some people I respect find it really creative, and I think it’s very much a YMMV film. The concept works for you or it doesn’t. If you’re in the former category, pick it up at the link below. If not, let’s move on to the next piece.
Special Features:
Quentin Tarantino’s sophomore smash turning 30 makes me feel absolutely ancient, but that feeling comes with a pretty cool anniversary edition that features the film in 4K and physical collectibles for fans of one of the most influential films of all time. On that note, there are very few films that are three decades old that feel as much a part of the cultural firmament as this one. The way it weaves film history into a new voice is reflected in so many “meta” films of the current era, even the ones that aren’t explicitly about how criminals fumble their way through life. The performances are also even better than you remember, especially Samuel L. Jackson, who should have won the Oscar here (and it’s a shame he still doesn’t have one). Another cool thing: This release includes a piece from Roger & Gene’s “At the Movies” about The Tarantino Generation. We’re still feeling its influence.
Special Features:
“Shaun of the Dead”
Has it really been 20 years since of “Shaun of the Dead”? (Yes, this is the Brian Feels Old version of the Blu-ray column.) To celebrate the anniversary of Edgar Wright’s banger of a zom-com, Universal has upgraded the film to a new 4K remaster and released it in both standard and steelbook editions. Both include a new featurette about the film’s anniversary with reflections by Wright, Simon Pegg, and Nick Frost. If that’s not enough, the excellent DVD and Blu-ray commentaries (four of ’em!) are all here too, along with some of my favorite steelbook art design of the year. Only three years till the same treatment for “Hot Fuzz”! (Man, time flies.)
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Maybe films based on a toy line should have always been animated? While I kind of like the go-for-broke tone of the first Bay film, the rest range from mediocre to atrocious, and I find it fascinating that the reputation of this franchise has shifted a bit since Bay left it with positive reviews for the fun “Bumblebee” and near-raves for this animated adventure by Josh Cooley (“Toy Story 4”). Previewed just horrendously, it became a pretty solid hit, although nowhere near as big as its fans would argue it should have. Maybe it can find a bigger audience on physical media. A cool steelbook edition pictured here might help.
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“Wallace & Gromit: The Complete Cracking Collection”
“Wallace & Gromit: Vengeance Most Fowl” is probably on Netflix by the time you read this (1/3) and playing in limited theatrical release now. It kinda rules. And to celebrate the return of the cheese-loving inventor and his trusty sidekick, Shout Factory released a gorgeous box set with basically everything fans of these wonderful films could ask for. For the first time, the four short film W&G projects have been remastered in 4K, including “A Grand Day Out,” “The Wrong Trousers,” “A Close Shave,” and “A Matter of Loaf and Death.” The set also includes standard BD versions of “Wallace & Gromit: The Curse of the Were-Rabbit” and “Cracking Contraptions.” And just look how beautifully it’s packaged. This is one of the best box sets of the year.
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It seems likely that “Flow” is going to win the Oscar for Best Animated Feature, but my vote would actually go to this lovely, moving animated gem from the great Chris Sanders. The 4K release hit stores while the movie was still in theaters, broadening the reach of this sweet tale of a robot who learns about the difficulty of motherhood. The release includes a number of interesting special features, including a deleted sequence, but the draw is the film itself, one of the 2024 releases that I can assure you will stand the test of time. People are going to be watching this one for generations.
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